Some are then developed commercially, including ambient lighting for Bocci, the Canadian Design & Manufacturing brand of which he is co-founder. His own practice cultivates a fluid position between the fields of architecture, sculpture, invention and design.Īrbel’s works begin from a point of materials research. For those unable to visit the exhibition, a VR experience and guided journey has been created for the exhibition.īased in Vancouver, Omer Arbel began his career as an apprentice to Catalan architect Enric Miralles before completing his professional degree in architecture in Canada and working with, among others, John and Patricia Patkau. The latter contrasts the character of underground spaces with the sudden discovery of being suspended over the edge of a cliff numerous cedar offcuts are tumbled into amorphous forms and used first as formwork for concrete, second as kinetic cladding.Įach project is shown as a constellation of large scale architecture models, drawings, prototypes, videos, and sculptural applications of material explorations that have grown out of the specific conditions of each project. The former is a heavily sandblasted cedar bridge between two naturally occurring ridges, spanning over a sunken fern gully it is anticipated that over the next 100 years, rising sea levels will flood the gully, giving the project an entirely different reading. 86, a large industrial building also experiments with the liquid properties of poured concrete, this time over formwork composed of haphazardly stacked hay bales wrapped in loose fabric.īoth 91 and 94 are houses set to interact and evolve within the rugged, remote, oceanfront landscapes in which they are built. In 75, a house, this emerges as a unique method of casting concrete into stretched fabrics, which acknowledges its intrinsic plasticity and reduces labour and waste found in typical construction. Bocci’s growing portfolio of sculptural lighting is developed, engineered and fabricated in house, through an infrastructure calibrated to provide full control over technique, quality and scale. Still more are results of very particular relationships, narratives, and collaborations.įounded in 2005, Bocci is committed to fostering a lateral and open-ended relationship between creative direction and craft. Some of the works resist simple classification, while others are by-products of more targeted investigations. It is structured as a platform to highlight underrepresented themes in Omer Arbel’s work. OAO Works is a loose portfolio of objects, curiosities and ideas. Focal themes of his work include investigation of intrinsic mechanical, physical, and chemical qualities of materials and exploration of light as a medium. OMER ARBELīased in Vancouver, Omer Arbel cultivates a fluid position between the fields of architecture, sculpture, invention and design. all other interior elements are rendered using machined elements, conceived to stand in strong contrast to the rough original framework of the existing shell.Omer Arbel Office is the creative hub of a constellation of companies structured to realize ideas of varying scale and across a wide spectrum of contexts and environments. the interior loft project is organized around a new courtyard open to above, inserted into the fabric of the space, allowing for an abundance of light into the centre of the very deep plan. the project scope includes a seismic upgrade and restoration of a heritage building in vancouver’s historic gastown district. Vancouver-based architect omer arbel has sent designboom images of one of his latest developments, ’46 water street’. Restoration of the main entrance image © martin tessler
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